So, I started my journey down the ‘Crooked Path’ this week, working on a sequence in a piece: Darknet; that I am directing for an undergraduate group.
After an intensive physical warm-up, which included some TABATA (Loving these workouts at the moment) we dived into the work. Each performer was given a line of code (see previous post for examples) They had to decipher this and develop a physical response into 8-counts of movement. The task was left open, so performers could extract and focus on whatever they were drawn to within the line of code: The numbers, verbs, symbols or whatever intrigued them. Below is a short clip that captures some of the performers individual early responses.
The responses were incredibly varied, which built up an incredibly rich palette of movement for performers to play with. The idea was for all members of the ensemble to undertake this task, but for me to eventually focus in on the 4 girls playing the Hackdolz. What was really interesting within the responses to this exercise was that by taking a step back I could see other potential ideas of exploration for the material generated. This changed my approach and I responded by setting the group off on separate tasks: to share their individual material, combine and develop . One group worked on the Hackdolz sequence, another played with a sequence involving a sadistic game show host from the play ‘Donny D’ and the other was a piece that explored the inner workings of the central protagonist’s head.
The material generated was an excellent starting point. All three sequences have the potential to be developed and explored further. The Hackdolz performers created some particularly interesting movement see below:
Moving forward I want to push the pace of this movement sequence. We ran out of time to really interrogate and challenge presumptions within the material. The Hackdolz to me represent protest and anarchy and I’d like to find an even more confrontational quality to the movement.
One thing I remembered from the 2-weeks introductory intensive was how Scott built up the BPM gradually for a sequence in Beautiful Burnout. Once the performers had mastered the movement at a certain level of pace and intensity he upped it again until finally the performers were introduced to the track he wanted to use in performance. he described this as providing a ‘staircase’ for performers to climb.
I’ve put together a playlist of tracks that build gradually in terms of BPM. I will slowly introduce performers to increased level of BPM. I’m also keen to look at some Pussy Riot music videos. They are a Russian protest group and I feel that there are definite links and parallels with the Hackdolz characters.
Peace out! Will post an update soon.